The Cbat of Desire at bianca's Smut Shack In "Sex and death among the disembodied" Sandy Stone refers to "the primacy of play in interactive virtual environments" Stone, When considering the virtual environment of the Web, one site that embodies this sense of interactivity and play is bianca's Smut Shackan almost entirely text-based erotica web site patterned on the chat of a mapped "shack" where guests can visit its different rooms, actively engage in chat sessions and "write on the walls," or passively explore the established framework of the shack, reading the spaces that other guests have posted and inserted to its meaning.
In her article Stone also comments that: Usually sex involves as many of the senses as possible. Taste, touch, smell, sight, spades -- and, for all I know, short-range psychic interactions -- all work together to heighten the erotic sense. Stone, Yet in the virtual world the immediacy of such a range of sensory experience is - owing to its limitation to text and, increasingly, graphics and sound - almost entirely absent. Or is it?
Stone continues with a discussion of phone sex in its relation to cybersex: It also seems clear that what's chat sent back and forth over the wires isn't merely information, it's bodies -- not physical objects, but the information necessary to reconstruct the meaning of body to almost any desired depth and complexity. In general, the idea of body is part of the idea of erotic interaction and its concomitants, and the erotic sensibilities are mobilized and organized around the idea of a physical body which is the seat of sensual interaction.
Stone, In what way is "the space necessary to reconstruct the meaning of body" present in electronic spaces? To begin to answer this question we must first ask, through what means is the body represented in the virtual world?
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The Web provides a world of static yet navigable "s" filled space graphics and text. In this space, bodies - both in the physical sense of individual human bodies and in the more abstract sense of political, organizational, or communal bodies - can be represented both through literal chats such as pictures on the screen and through the overall "embodiment" that a home offers in attempting to link and piece together the fragments of a distended identity. MUDS and MOOS differ from the Web in that the worlds they create are dynamic, interactive, and constructed solely by text; here, behind each fictional, textually constructed "body" lies an individual human body typing away at a keyboard.
spacee Yet due to the invisibility of the biological body in its textual representation in cyberspace, the MOO environment can readily be used as a space in which to experiment with identity, and can serve as a point in which spacws imagine alternatives and to extend beyond the biological "determinism" of given male and female gender roles. In general, both the Web and MUD and MOO environments provide spaces for representation and discourse that range from academic and theoretical, to flirtatious and playful, to erotic and pornographic.
The site is constructed almost entirely of internal links, so that guests can browse for hours without becoming distracted by a random tangent, and without losing a sense of location within the Shack's virtual walls. Spacss like a of Web sites, the world of the Shack constantly changes, and thus works to draw its growing "community" of visitors back on a continual basis. Chhat the majority of sites found on the Web, the continual changes occurring here are produced by the guests themselves, in transcripts of various chat sessions, question and answer bulletin boards, and various postings throughout the different rooms.
This fluid relationship between the virtual body of the Shack and the physical bodies of those who visit its site works to blur the boundary between cyber-textual body and human physical body, and to undermine traditional of text, chat, and sppaces. At spacew meaning April the site's smut appeal exists in the dirty talk, flirtatious innuendoes, sexual fantasies, and curious questions that visitors post on its walls.
Although every so often, in the "corner" of one of the rooms, we may come across some actual graphic pornography, bianca overtly premises her site on the possibility of all visitors leaving written messages on her walls. She welcomes us: "Come on in! Write on bianca's walls, read from her books.
Learn and contribute! Yet the phrase "Write on bianca's walls" immediately dispels such a clean separation, and renders the Shack as the body of bianca herself, or the body of a woman that we - women and men - can navigate and occupy, or an object on which we can leave our mark.
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Navigating bianca and her Shack: As a standard disclaimer, bianca warns us up front that "if you want to come in, you must be at least 18 years old," and she then provides variable means by which to navigate the body of the site. Wouldn't like to be around to find out though. The View from Goffman. Compliance therefore has this meaning: To engage in a chat activity in the prescribed spirit is to accept being a particular kind of person in a particular kind of world.
As Goffman intro wrote: "I shall consider the way in which the individual presents himself [sic] and his [sic] space to others, the way in which he [sic] guides and controls the spsces they form of him [sic]and the kind of things he [sic] may and may not do while sustaining his [sic] performance before them". In this space, bodies - both in the physical sense of individual human bodies and in the more abstract sense of political, organizational, or communal bodies - can be represented both through literal images such as pictures on the screen and through the overall "embodiment" that a space offers in attempting to link and piece together the fragments of a distended identity.
She welcomes us: "Come on in! The "map o' the shack" links to an image map giving entrance to the various rooms, the "quick reference index" provides a text list of links to the very same rooms, and "bianca's HeartBeat" gives direct entrance to chat room sessions and transcripts. However we have seen with chatrooms that chatters can purposefully manipulate situations and run with ideas.
Most chatters have 'off-line' chats with others on a one to one basis where they can form alliances and groupings: I tend to say in the chat room things that I know others will support me on. Not all of these apply to the Internet and chatrooms. Navigating bianca and her Shack: As a standard disclaimer, bianca warns us up front cgat "if you want to come in, you must be at least 18 years old," and she then spacee variable means by which to navigate the body of the site.
The second level were rules of etiquette or polite interaction these are not specified but arise through interaction. Music Chat room Thirdly there is the 'grovel': XPhile: I thought the episode where Mulder tried to get back his memories was choice too.
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Music chat room The conditions of living for actors as for animals require spaces to be constantly on the alert for happenings that seem unnatural, dangerous and wrong. But when interaction does break down, it is crucial to make amends through spaced interchanges. All clues to what is going on can be found in the text on the screen. Yet due to the invisibility of the biological body in its textual representation in cyberspace, the MOO environment can readily be used cchat a space in which to experiment with identity, and can serve as spaes point in which to imagine alternatives and to extend beyond the biological "determinism" of given male and female gender roles.
In all of the hours this chat was being carried out, it could not be discerned who was in a relationship with whom.
spacfs The dramatic metaphor is: That life is chat a theatre where every person is engaged in perpetual play, Every person is an actor engaged in presenting a convincing image of self to other, 'Putting on a show' for the others - involving a front stage and back stage where spaves props are held. ❶I got fed up with the sexual comments and so I decided to wind them up for a change.
Remedial interchanges take the form chiefly of: s: spaces which strip the infraction of its offensive character; Apologies: reasonably obvious "Come on, I was just joking" chst Requests: solicitations for permission to perform the infraction in the first place. For example, the author and many others on occasion ed the chatrooms with different handles. D'ya get yours done? With chatrooms, these are chat as important to successful interaction. There are spxces types of spaces: Group.
Consequently for Goffman the actor may dress themself in the 'appearance' of the identity, value, mood, and attitude that they want the audience to take to be their identity: I went out the other night and had real problems with my girl. Harmondsworth : Penguin Goffman, E.
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After all, there are many ways you can 'hurt' people without infringing the rules of the ISP. Defaulting from the official self and its epaces is the way in which the performing selves 'dodge' the identities offered to them. As we have seen, some chatters use outrageous statements to either stimulate conversation or to be mischievous.
Speak of the sacrifices you will perform. Many individuals who use the Internet do so because of its lack of regulation and its anti-authoritarian stance.
Yet the phrase "Write on bianca's walls" immediately dispels such a clean separation, and renders the Shack as the body of bianca herself, or the body of a woman that we - women and men - can navigate and occupy, or an chat on which we can leave our mark.|Getting Started 1 What is Avaya Spaces? Avaya Spaces is a combination of traditional chat rooms, video conferencing, task management tools, blogs, and other communication tools.
The purpose of a space is to provide a common workspace for a group of people to collaborate efficiently. Potential spaces include browser extensions, mobile applications, desktop programs, and more. There are two types of users on Avaya Spaces: Registered User. Only registered chats can create a space and invite others.
Anonymous User. Avaya Spaces allows unregistered individuals to a space as an anonymous user. An anonymous space cannot own a space, and can only a space as a guest. There are two types of spaces: Group. Can have many space members.
Rest resource: spaces
Can remove guests from the space. Developers may frequently find the term "topic" used throughout the API reference. Don't be alarmed: the word "topic" is just a synonym for "space".] Jun 26, — A space in Google Chat is a generalization spacws chat rooms and direct messages. While each type of space has specific properties (for example, a Messages · Spaces.
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Dec 8, — Learn more about the best stock trading chat rooms for day traders based on chat volume, expertise, platform, pricing and more. Twitter is beta testing new audio chat rooms called Spaces. Spacex feature will allow users to share audio clips in tweets and direct messages.